Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.  Related Paintings of Correggio :. | Assumption of the Virgin | Leda1 | Rest on the Flight to Egypt with Saint Francis | View of the Camera di San Paolo and of the vault | Noli me Tangere |
Related Artists:
Leo Gausson
French, 1860-1944
LENS, Andries Cornelis
Flemish painter (b. 1739, Antwerpen, d. 1822, Bruxelles). Flemish painter and writer. He was the son of the flower painter Cornelis Lens (d after 1766) and studied first under Charles Ykens II (1719-53) and then under Balthazar Beschey. In 1756 he was awarded first prize at the Academie of Antwerp and in 1763 was appointed to the staff on the strength of his decoration (destr.) of the refectory of the Alexians at Lier. He also came to the attention of Charles Alexandre, Duke of Lorraine and Bar, Governor-General of the Netherlands
William Simpson
British Painter (1823-1899) was a British artist and war correspondent. Born into poverty in Glasgow on 28 October 1823, Simpson went on to become one of the leading 'special artists' of his day, and sketched many scenes of war for the Illustrated London News. His early years were very difficult living in a house with an abusive and alcoholic father, and in 1834 he was sent to live with his grandmother in Perth. Simpson's only formal schooling took place during this period and within a few years, he was working as an apprentice in the Glasgow lithographic firm of Macfarlane. The artist stated later that "this was the turning point which changed all my boyish intentions." It was during the years in Glasgow that he attended the Andersonian University and the Mechanics Institute in the evenings. His next position was with the lithographic company of Allan and Ferguson where he spent four years learning the trade. In 1851 Simpson moved to London where he was hired by Day & Sons. While at Day's he was able to work on several important lithographic sets. He became famous initially for his work in the Crimean War where he was sent by the firm of Colnaghi to create a series of watercolors suitable for lithographing. In the late 1850's he was sent to India to sketch scenes relating to the recent Sepoy Revolt. He joined the ILN in 1866 and covered the Abyssinian Campaign of 1868. In 1870 he went to France to sketch the war with Prussia, and in the following year observed the barricades of the Paris Commune. During a trip around the world, he stopped off in California and traveled to the Lava Beds area to report on the Modoc War in 1873. Five years later, he journeyed to Afghanistan to provide illustrations of the Second Afghan War that had broken out; he returned to London in the summer of 1879. In 1890, he observed the opening of the Forth Bridge and caught a chill which was to have detrimental effects on his health. He died at home in Willesden, north London, on August 17, 1899, and was buried in Highgate Cemetery. Besides his war pictures, he covered state events, coronations, funerals, and other ceremonies. He was particularly interested in India and sketched scenes of the Kashmir Maharajas.